Welcome back to #wcw (aka Woman Crush Wednesday) on my blog for Women’s History Month! I’m featuring a musical artist every Wednesday who has inspired me and driven me to expand and develop my own art in new ways.
Today I want to highlight probably my all-time favorite rocker (of any gender) and songwriter, whose music has given me strength, vulnerability, and beauty, and who drops amazing truths on Twitter when I’m least expecting them. Please welcome to the blog, Ms Neko Case!
seriously look at this boss babe, #goals
Neko is best known for her solo career, and for her part in the indie rock band The New Pornographers. She started off as a drummer, joining the punk scene at the tender age of 14 and playing the scene in the Pacific Northwest. She dived into country early in her solo career with the 1997 album The Virginian, with her vocals being compared to Patsy Cline and Loretta Lynn.
She teamed up with The New Pornographers in 2000 on their debut album, and remains a staple lead & backing vocalist with the band. Personal note: NP is where I first heard her voice, but I had no idea she had a solo career until much later.
I discovered her solo work in 2006, when someone recommended I pick up a copy of Fox Confessor Brings the Flood. I could hardly believe a human could have such a clear, expressive voice.
I remember bus rides in winter, Minneapolis, on my way to work downtown, immersed in this open and mysterious sound unlike anything I’d ever heard. I would often get so tied to hearing a song all the way through I would frequently be late to my destination.
It was easy to delve into the rest of her back catalogue from there, and continue to follow her career. 2009’s Middle Cyclone was an absolutely godsend.
As a songwriter, Case intentionally writes poetic lyrics open for the listener’s interpretation:
“My intention is often to get people engaged in the story, and maybe be able to put themselves in the story, because that’s what I really love in other people’s songwriting,” she says. “A lot of classic pop songs are written about things that are as popular as love or whatever, but they don’t give you a time or place, and they remain kind of magical somehow. Unfortunately, I’m a little wordier than somebody like Cole Porter, so mine are definitely little black holes of stories, little rabbit holes of stories.” source
Neko Case is also an outspoken feminist and champion of women’s voices, but she also fights to be seen as a musician first. Famously, when Playboy reviewed her 2014 album The Worse Things Get the Harder I Fight, the Harder I Fight the More I Love You with the lede “Artist Neko Case is breaking the mold of what a woman in music should be”, Neko fired off a tweet reading, “Am I? IM NOT A F*ING “WOMAN IN MUSIC”, IM A F*ING MUSICIAN IN MUSIC!” and took off on a tear from there. Her point? First off, look at the artist first. Understand the value of the music for its humanity and depth. Secondly, ‘should be’ is such a prescriptive, horrible, backhanded compliment. There is no one way to be a woman working in the music industry. It’s part of a larger problem in society that tries to mold female expression into particular boxes that can be segmented off from one another, can be seen as ‘other’ and therefore either an exception or somehow less valuable than the default male musical voice.
Neko is about to release her first new solo album in nearly 5 years in June, and I couldn’t be more excited. A clip of the first single and title track, “Hell-On” has been released and features Case (and some slithery friends) singing lyrics about God in her trademark mysterious and erudite style.
You should tap into her catalogue, and follow her on Twitter (@nekocase), right this minute! It’s music for any time of day or mood, but it’s perfect for right now. Enjoy!
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