on routines

About once or twice a season I fall into a little funk. It’s nothing as serious as depression, but it’s definitely a listlessness, a desire to be lazy and do the bare minimum. Being self-employed and making my own schedule, this can seem mighty tempting. What would it matter if I took a Thursday afternoon to watch TV instead of getting some arranging done or approaching my second practice session? Can’t I just get back to it tomorrow when my brain’s rested?

And sometimes I give in, and take a nap on the couch with my kitties.

And sometimes I fight it. And I’ve been fighting it more and more lately, as I get better at routines.

In January of this year, I officially become solely self-employed. I had been working a part-time office assistant job, mostly from home, that took up about 3-4 hours on weekday afternoons. When that ended, I found myself facing whole days with seemingly nothing to do until my lessons in the evening. I know from years of experience that unlimited free time is a killer for me, and that I need to have some sort of a schedule to keep myself on task.

So I made a routine. Mornings after breakfast, I set aside an hour/hour and a half to warm-up and practice my trombone. On Tuesdays I would blog, regardless of whether I had much to say or not. Somedays I would read or do research on a musical topic, or do lesson preparation, other days I would arrange. I had it blocked off, but over time what I chose to do each day became more fluid and dependent on what was needed next. In the afternoon another hour of practice.

After 5pm, if there are no lessons to be taught, I allow myself to fully ‘clock out’ and relax.

And Friday and Saturday constitute my ‘weekend’.

Last week was tough. I really didn’t want to do much on trombone besides get through my warm-up, and sometimes even that was hard. I had things to arrange that have been on the master list for a long time, but instead I conjured up an entirely different project, and that consumed most of my week. There’s nothing wrong with mixing up the routine from time to time, but for me it can make it a lot difficult to get back on track.

This week feels different. Practicing this morning felt fresh and productive. I’ve arranged a tune, finished my other project, blogged, networked, done studio housekeeping. I’m not judging myself for my week of ‘meh’, but I am glad I pushed myself to keep to a routine throughout it, even if it was just the bare minimum.

Your routine might look different. The only thread that connects your days might be that you make your bed in the morning. Or you might do the same task or go to the same classes everyday. If you’re in my studio, I might ask that you do the same exercise everyday. I might be trying to get you to establish a routine, or I might genuinely want to see what a week of daily work on an exercise will do for you. I’m learning some of these things too, especially what makes my teaching effective over time. Start to think about what you do that anchors your days, and how it helps you improve musically.

It doesn’t have to be boring.

It could be totally freeing.

Weekly Roundup 4/28/15

Reading: Musicophilia: Tales of Music and the Brain, Oliver Sacks

Arranging: Arranging went on halt last week as I undertook a new project: revamping my studio welcome packet.  Just today though, I got back on track and finished I’ve Never Found a Man for The Satellites. Tomorrow I’ll take on Sam Smith’s I’m Not The Only One and then, unless Alan picks some new tunes, I’ll be done for a while!

Practicing: Red Dragonfly, Annie Laurie, chromatic scale patterns, lip slurs up to the 9th and 10th partials.

Rehearsing: Midnight in Moscow had a great rehearsal last Wednesday- it was much needed after a stressful day for me. We have a gig on the books and are working on more- stay tuned!

Performing: No gigs currently booked until May.

Listening: Sleater-Kinney absorbed much of my weekend, being the most excellent soundtrack to clean the house on a sunny day.

Teaching: Several of my students have asked for help with intonation issues, so I’ve prescribed lots of slow scales and tunes with the Intonation Helper. Intonation isn’t something your slide does. It’s something your ears do.

Relaxing: Biking, eating tacos, petting kitties, reading in the sunshine.

Weekly Roundup 4/21/15

Reading: Musicophilia: Tales of Music and the Brain, Oliver Sacks

Arranging: Charts for The Satellites are almost all done! I have two more to do: I’ve Never Found A Man (Lavelle White) and I’m Not The Only One (Sam Smith). Never Found is actually done- but our previous arranger wrote a different horn soli that isn’t as hip as the one on the track. So basically I’m just going to redo that part of it.

Practicing: Red Dragonfly, Annie Laurie, chromatic scale patterns, lip slurs up to the 9th and 10th partials.

Rehearsing: Midnight in Moscow this week!

Performing: No gigs currently booked until May.

Listening: Went to see the University Opera perform Marriage of Figaro on Saturday night. My friend Sophie was singing Susanna, and she was incredible! I’m also giving the new Sufjan Stevens album a spin.

Teaching: Lots of folks prepping for auditions. And it’s time again to do some serious intonation/tone production work. Sit tight for that.

Relaxing: 21 days into #30daysofbiking! Doing great so far- averaging at least 5 miles a day, 25 at the most! Also, reading some excellent non-music related fiction and non-fiction.

Weekly Roundup 4/14/15

Reading: Musicophilia: Tales of Music and the Brain, Oliver Sacks

Arranging: Da Pacem Domine, by Arvo Pärt. Originally for choir, I am transcribing it for Metro Brass’s 11-piece lineup. We will be performing it on June 4th. Concert Details.

Practicing: Red Dragonfly, Annie Laurie, chromatic scale patterns, sight-reading

Rehearsing: Metro Brass had a great rehearsal Sunday night.

Performing: No gigs currently booked until May.

Listening: Have had a little break from consuming anything new, musically. Taking in the sounds of spring as it develops instead.

Teaching: Preparing folks for contest performances as well as upcoming auditions.

Relaxing: The Garden is open again! For those who don’t know, I volunteer at Eloise Butler Wildflower Garden in Theo Wirth Park. It’s my favorite place on the PLANET (besides my bed) and you should defintely come visit if you haven’t ever been, or if it’s been a while. Right now, the spring ephemerals are coming up- don’t blink or you’ll miss them!

What top practicers get right

The Creativity Post: 8 Things Top Practicers Do Differently

Dear Students,

Read this article carefully. Think about what I may have told you in the past about practicing, and what my expectations for your performance in lessons are. (Hint: it’s never about speed, or agility, or knowing the whole thing).

Here are 2 things I’d like you to pull from this (although all of it is important):

1. Musicians who repeatedly practice something incorrectly will repeatedly play it incorrectly. Musicians who up the number of times they play a passage correctly will have a greater chance of performing it correctly.

(Further translation: let yourself play things the right way. If you make a mistake when you’re in the learning stages, go back and fix it. Go slowly. Speed up slowly. Take your time.)

2. The top performers in this study were found to have practiced musical intention and inflection early in the learning stages. This means that they created a total concept of what the music said to them and incorporated this into how they learned it. This accessed a deeper part of their learning and embedded the passage in a way that makes it harder to forget.

Now, what’s the difference between this and when I ask you to go all the way through a piece as if you’re performing it?

Performance is also a practice, and when you’re performing, you can’t stop and fix things. What goes wrong will just be wrong, it’s over, move on, focus on the remainder. It’s difficult to let go of mistakes and I respect the desire to fix errors. However, we also have to be able to develop the ability to keep going, i.e. keep our eye on the prize. If you are practicing a performance, you can make a mental note to go back and fix a section in your next session.

Happy practicing!

“The slower you go, the faster you’ll get there.” -John Link

 

Weekly Roundup 4/7/15

April’s first round-up! I took a little break last week for R&R, so here’s what’s been on my radar the last two weeks:

Reading: The Etymologicon, by Mark Forseth: A circular journey through the hidden meanings of the English language. Highly recommend! Funny and smart.

Practicing: Red Dragonfly, Annie Laurie

Rehearsing: Easter has come and gone, and Metro gets back to work this weekend.

Performing: Two Easter services at St John’s in New Brighton.

Listening: Over my holiday I saw several amazing live shows: The Decemberists, OK GO, and the Vijay Iyer trio. Two were remarkably fun and one was inspirational and challenging.

Teaching: Recently someone shared a TED Talk with me by Amy Cuddy (I’ll embed it below) about the use of body language to help change your behavior and performance. Her key slogan? “Fake it until you become it”- the idea that even two minutes of practicing a power posture can lead to better performance in an interview, audition, whatever. I have several students going into contest competitions next week and we will be trying some of these ideas.

Relaxing: What a great week! I spent four days in Chicago visiting friends, seeing music and comedy and art, catching up with some of the special folks in my life. Upon returning to Minneapolis I continued the fun, hanging out with local friends, seeing more live music, watching college basketball (You’ll always be my number one, Wisconsin!). This week it’s back to business as usual, but I feel relaxed and happy to be back at it.

Weekly Roundup 3/24/15

Reading: Still on a break from studying so I can focus on some arranging projects.

(Arranging: Songs for The Satellites; Da Pacem Domine by Arvo Part for Metro Brass)

Practicing: Red Dragonfly, and Arthur Pryor’s Annie Laurie which I may perform with Metro Brass in the future.

Rehearsing: Metro met on Sunday night for some quality rehearsal time. We are preparing a June 4th concert at Grace Lutheran in St Paul. More details soon! Lots of showcase pieces for members of this talented group.

Performing: Nothing on the calendar until Easter weekend.

Listening: Black Messiah by D’Angelo spinning nearly constantly. How is possible for human beings to lay back on a beat so hard? It’s mind-boggling.

Teaching: Blending and intonation. Using an exercise I learned from Tom Ashworth at the U, tuning unisons and various intervals with a partner.

Relaxing: Thursday evening I’m leaving for a long weekend in Chicago! I will see good friends Gabe, Matt, Becka, Candace, and Owen. I have tickets to see the Decembrists and the Vijay Iyer Trio!

No weekly roundup next week! Enjoy your spring break! (TAKE YOUR HORN HOME)

Weekly Roundup 3/17/15

Reading: It’s been a busy week! I haven’t had a chance to start any music-related books.

Practicing: Red Dragonfly, and Arthur Pryor’s Annie Laurie which I may perform with Metro Brass in the future.

Rehearsing: Exultate recorded the Requiem on Thursday and Friday. There will be an album released in May! In the meantime you can watch our performance from St Mark’s online (see link in previous post).

We read Scheherazade (Rimsky-Korsakov), Lemminkainen’s Return (Sibelius), and Oberon Overture (Weber) in Minnehaha Repertory on Saturday.

Performing: After a busy week of performances and recordings, it’s nice to have a little break! Metro is gearing up for a showcase concert in June. More info soon.

Listening: Abigail Washburn hit my radar yesterday and I can’t get enough of her. She’s a banjo player and vocalist who creates some truly sublime music.

Teaching: Musicality involves lots of moving pieces, but in many situations if you can hear the whole picture, it makes it easier to pull it all off. This week I’m helping students play musically by incorporating the micro into the macro.

Relaxing: My friend David is moving to Seattle, and he stopped in Minneapolis this weekend to catch a breather from the road. We spent an afternoon walking around Minnehaha Falls Park and eating good food.

Weekly Roundup 3/10/15

Reading: Creole Trombone: Kid Ory and the Early Years of Jazz by John McCusker. An engaging look at an early jazz trombone hero and how his style influenced the development of a genre.

Practicing: Red Dragonfly, Pryor’s Annie Laurie, Kopprasch Book II.

Rehearsing: Midnight in Moscow meets tomorrow night and I’ll be sharing some of my insight from the Kid Ory book.

Performing: Exultate performed Mozart this past weekend and it went very well! Sunday was my best performance, but they were all great. Kudos to my colleagues Keith and David for their stellar performances (in particular David nailed the Tuba Mirum solo every time). We are recording Thursday and Friday, so soon you can purchase a recording of our brilliance!

Listening: The new Brandi Carlile album (The Firewatcher’s Daughter) is fantastic. I can’t get enough of Sleater-Kinney’s No Cities To Love.

Teaching: Relaxation in the higher register, and how to use our ears to our advantage and avoid strain.

Relaxing: BIKING ALL THE PLACES.

Weekly Roundup 3/3/15

Reading: Keys To Natural Performance For Brass Players, Robert D Weast. An older book but a goodie.

Practicing: Red Dragonfly is still on my stand, as is the second Kopprasch book.

Rehearsing: Mozart Requiem with Exultate Choir and Orchestra. I’m playing bass trombone. See below!

Performing: 3 concerts of Mozart Requiem with Exultate, March 6, 7, 8. Various locations around the Cities! Come and enjoy.

Listening: M. Ward, End of Amnesia; Jenny Lewis, The Voyager; Heart, Dreamboat Annie; R&B songs (by the likes of Stevie Wonder, Thelma Houston, James Hunter, Etta James, etc) as research/arrangements for The Satellites, my soon-to-be-gigging soul/r&b group.

Teaching: Rhythmic recognition and dictation this week. Get ready. You’re going to clap and count.

Relaxing: Walked by the river last night with my friend Susan and her dog Maple. Signed up for 30 Days of Biking again (year 4 for me!). Dreaming about spring.